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And then before we had even finished the second verse, he had one of our friends shoot this video of him. Why not that one? And like right away, was like, “That’s the one, load that up.” And he wrote the whole record on the spot, arranged it with us, and we recorded the whole thing. And I remember he was like, “Play me something that’s super-futuristic - something that is just different.” And we had made this one beat - we name all our beats after food - and we named it “beef pasta.”Īnd me and Denzel looked at each other.
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I remember we played him a couple of country records and one of them was the starting idea to “Rodeo”. I remember we hopped in the session and slowly started to realize that he doesn’t want to just be known as this Black kid that entered the country space, this one-hit wonder that only makes this massive country song and then for the rest of his life is making gimmicky country records, playing off of something that he’s already done before.
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And then we had another pack that was just, like, let’s see if he wants to do something else.
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And that’s all he’s going to do.” Me and Denzel had our country sample pack ready to go. Early on, everyone was kind of looking at him like, “Oh, this is the Black kid that’s going to make country music. Where’d that come from?” We were really curious to see what this kid’s about and what direction he wanted to go in. Everyone’s like, “Whoa, this new kid, Lil Nas X, all of a sudden he has a No. That song was so huge at the time and it came out of almost nowhere for the rest of the world. In this week’s episode of Switched on Pop, co-host Charlie Harding spoke with Take a Daytrip’s David Biral and Denzel Baptiste about the making of “Montero” and the frenzy that followed.Ĭharlie: As the first producers to work with Lil Nas X after “Old Town Road,” did you feel pressure to follow up something of that magnitude with something on that level, or bigger?ĭavid: I don’t think we felt any pressure. Produced by Take a Daytrip, the duo behind Shek Wes’s “Mo Bamba” and Lil Nas X’s “Panini,” “Montero” mashes up genres to take the listener on a global journey, bringing that message of identity acceptance across cultures. But as pundits fought on social media about the song’s meaning, most critics failed to look into the song’s musical references. In the video to “Montero,” Lil Nas X rides a stripper pole into Hades where he gives a lap dance to Satan (also played by Lil Nas X). But his use of religious iconography in its video and merchandise created an immediate backlash. Sure it’s raunchy, but the song doesn’t especially stand out on the Billboard charts, where explicit sexual fantasy is commonplace. The song describes a romantic encounter without innuendo. Now with “ Montero (Call Me by Your Name),” the title track to his forthcoming eponymous (after his real name) album, takes aim at anti-LGBTQ+ messages propagated by the religious dogma from his youth (he came out as gay during Pride 2019). First with 2018’s “Old Town Road,” he challenged expectations of Blackness in country music. Lil Nas X has a talent for creating productive controversy. “He knew it would piss off a lot of people, those that aren’t quick to realize the true message behind that music video.”